The Prisoner

The Prisoner
Prisoner sm.jpg
The Prisoner intertitle
Format Spy fiction, Science fiction, Allegory
Created by Patrick McGoohan
George Markstein
Written by Patrick McGoohan
Pat Jackson
Don Chaffey
David Tomblin
Directed by Patrick McGoohan
David Tomblin
Anthony Skene
Terence Feely
Vincent Tilsley
Starring Patrick McGoohan
Theme music composer Ron Grainer
Composer(s) Albert Elms
Country of origin United Kingdom
Language(s) English
No. of series 1
No. of episodes 17 (List of episodes)
Production
Executive producer(s) Patrick McGoohan
Producer(s) David Tomblin
Running time 48 minutes
Broadcast
Original channel ITV
Picture format 4:3
Audio format Monaural, Dolby Digital 5.1
Original run 29 September 1967 – 1 February 1968

The Prisoner is a 17-episode British television series first broadcast in the UK from 29 September 1967 to 1 February 1968.[1][2] Starring and co-created by Patrick McGoohan, it combined spy fiction with elements of science fiction, allegory, and psychological drama.

The series follows a British former secret agent who is held prisoner in a mysterious seaside village where his captors try to find out why he abruptly resigned from his job. Although sold as a thriller in the mould of McGoohan's previous series, Danger Man (called Secret Agent in its U.S. release), the show's combination of 1960s countercultural themes and surreal setting had a far-reaching effect on science fiction/fantasy programming, and on popular culture in general.

A TV miniseries remake aired on the U.S. cable channel AMC 15–17 November 2009.[3] Additionally, Christopher Nolan has been widely reported to be considering a film version.[4]

Contents

Origins and production

The show was co-created by Patrick McGoohan and George Markstein. Markstein, script editor of Danger Man, remembered that during World War II some people were incarcerated in a resort-like prison. A documented situation with some similarities was Operation Epsilon: German atomic scientists were detained post-war in relatively comfortable isolation in a mansion in England, while their conversations were recorded. Markstein suggested that the Danger Man lead, John Drake, could suddenly resign, and be kidnapped and sent to such a location. Markstein subsequently wrote a novel, The Cooler, in 1974 about such a prison for spies who had suffered mental breakdowns.

Panoramic view of the central piazza, Hotel Portmeirion

This idea was mirrored in an episode of Danger Man called "Colony Three"[5] in which Drake infiltrates a spy school in Eastern Europe during the Cold War. The school, in the middle of nowhere, is set up to look like a normal English town in which pupils and instructors mix as in any other normal city, but the instructors are virtual prisoners with little hope of ever leaving.[6]

McGoohan grafted Markstein's suggestion on to material he had been developing since working on the original version of Danger Man in 1960. An episode, set partly in Italy, simulated that locale by shooting at a Welsh resort. The architecturally distinctive appearance of the place struck McGoohan, who felt that something should be done with the place, something significant, surreal, and allegorical. He spent his spare time during the next several years working up a format. Shortly after filming the fourth series of Danger Man in colour had begun, McGoohan told Lew Grade of ITC Entertainment that he intended to quit. Grade asked McGoohan if he would work on anything else for him, so McGoohan pitched the series, which Grade agreed to in a handshake deal.[7]

Grade bought the show and it was produced for broadcast on ITV and overseas. McGoohan wrote a forty-page show Bible,[8] and wrote and directed several episodes, often under pseudonyms.[9] The exteriors for the series were filmed primarily on the grounds of the Hotel Portmeirion in Penrhyndeudraeth, North Wales, which was the resort used in Danger Man that had partially inspired the program.

At the request of Portmeirion's designer Sir Clough Williams-Ellis, the location of the series was not disclosed until the credits at the end of the last episode.[10]

There is debate as to whether the series ended by mutual agreement or cancellation.[11]

Opening and closing sequences

The opening and closing sequences of The Prisoner have become iconic. Cited as "one of the great set-ups of genre drama",[12] the opening sequence establishes the Orwellian and postmodern themes of the series;[13] its high production values have led the opening sequence to be described as more like film than television.[14]

Plot

The series follows an unnamed British agent who abruptly resigns his job, and then finds himself held captive in a mysterious seaside "village" that is isolated from the mainland by mountains and sea. The Village is further secured by numerous monitoring systems and security forces, including a mysterious device called Rover that captures those who attempt escape.

The agent encounters the Village's population, hundreds of people from all walks of life and cultures, all seeming to be tranquilly living out their lives. As they do not use names, they have each been assigned a number. The agent is told by the Village's chief administrator "Number Two", that he is "Number Six", and they are seeking "information" as to why he resigned; the task of doing this is carried by the ever-changing "Number Two", acting as supposed proxy to the unseen "Number One". As the series unfolds, the audience learns that the Village authorities have other interests in Number Six aside from the knowledge he possesses: interests that often spare Number Six from the more destructive information-gathering techniques employed by the Village authorities upon other inmates.

Number Six, distrusting of anyone involved with the Village, refuses to co-operate or provide answers. Alone, he struggles with multiple goals: determine for which side the Village works, remain defiant to its imposed authority, concoct his own plans for escape, learn all he can about the Village and subvert its operation. Some of his schemes, while not resulting in an escape, do lead to the dismissal of an incumbent Number Two on two occasions. By the end of the series the administration, becoming desperate for Number Six's knowledge and fearful of his growing influence in the Village, take drastic measures that threaten the lives of Number Six, Number Two, and the rest of the Village.

The series features striking and often surreal storylines, and themes include hypnosis, hallucinogenic drug experiences, identity theft, mind control, dream manipulation, and various forms of social indoctrination. A major theme of the show is individualism versus collectivism.

Cast and crew

Actors who played the same role in more than one episode are:

Crew

In other media

There have been several spin-offs of The Prisoner in other media, including novels, comicbooks, games and several attempts to make a movie.

Documentaries

Remake

A remake miniseries, in the works since 2005,[16] premiered on 15 November 2009 on American cable TV channel AMC, made in cooperation with British broadcaster ITV after AMCs original production partner Sky1 had pulled out.[17][18][19] On 25 April 2008, ITV announced that the new series would go into production, and in June 2008, that American actor James Caviezel would star in the role of Number 6, with Ian McKellen taking on the role of Number 2 in all six episodes.[20][21][22] In May 2009 the shooting for the new series was completed with significant plot changes from the original television storyline. The new Village is located in a desert tropical area instead of Wales, with location filming taking place in Namibia and South Africa. The six part series premiered in the UK on 17 April 2010.

Home video

The first home video editions of The Prisoner appeared in the 1980s. In North America, MPI Home Video released a series of 20 VHS tapes covering the series: one for each of the 17 episodes and three more containing "The Alternate Version of 'The Chimes of Big Ben'", a documentary and a "best of" compilation respectively. In the 1990s the first DVD release of the series occurred in North America/Region 1, with A&E Home Video releasing the series in 4-episode sets and a full 10-disc "megabox" edition in the early 2000s; A&E subsequently reissued the megabox in a 40th anniversary edition in 2007. The A&E issue included "The Alternate Version of 'The Chimes of Big Ben'" and the MPI-produced documentary among its limited special features.

Numerous editions of The Prisoner were, meanwhile, released in the UK/Region 2 by companies such as Carlton. These editions differed from the Region 1 release in their special features, including one release that included a recently-discovered alternative version of "Arrival".

The Prisoner: The Complete Series was released on Blu-ray Disc in the United Kingdom on 28 September 2009,[23] following in North America on 27 October.[24] The episodes have been restored by Network DVD to create new high-definition masters,[25] of which standard-definition versions were used for The Prisoner: 40th Anniversary Special Edition DVD boxset released in 2007.[26] The US edition, once again by A&E Home Video, includes the first North American release of an alternative edit of "Arrival" (in high definition), as well as "The Alternate Version of 'The Chimes of Big Ben'" from the earlier DVD/VHS releases (in standard definition due to the degraded source material) and assorted documentaries and behind-the-scenes footage.

Awards and honours

In popular culture

The Prisoner is frequently referenced, parodied, and paid homage to in comics, movies and television shows.

See also

References

Notes

  1. As noted in Andrew Pixley's 2007 The Prisoner - A Complete Production Guide book, the first UK premiere was 29 September 1967 on ATV Midlands and the last episode first aired aired on 1 February 1968 on Scottish Television.
  2. The world broadcast premiere was on the CTV Television Network in Canada on 5 September 1967.Toronto Star, 5 September 1967, p. 22
  3. AMC Originals - The Prisoner
  4. Child, Ben (Thursday 12 February 2009). "Nolan signs to take Inception from script to screen". The Guardian (London). http://www.guardian.co.uk/film/2009/feb/12/christopher-nolan-inception. 
  5. First aired in 1964: Cult TV by Jon E. Lewis and Penny Stempel, published by Pavilion Books Limited
  6. TV.com overview of Danger Man episode "Colony Three"
  7. Cult TV (UK): "An Interview with Patrick McGoohan", conducted by Warner Troyer, March 1977: "I'd made 54 of those [sic; there were thirty-nine half-hour episodes and forty-seven hour long segments of Danger Man] and I thought that was an adequate amount. So I went to the gentleman, Lew Grade, who was the financier, and said that I'd like to cease making Secret Agent and do something else. So he didn't like that idea. He'd prefer that I'd gone on forever doing it. But anyway, I said I was going to quit." "So I prepared it and went in to see Lew Grade. I had photographs of the Village… So I talked for ten minutes and he stopped me and said, 'I don't understand one word you're talking about, but how much is it going to be?'… I told him how much and he says, 'When can you start?' I said 'Monday, on scripts.' And he says, 'The money'll be in your company's account on Monday morning.'"
  8. Cult TV (UK): "An Interview with Patrick McGoohan", conducted by Warner Troyer, March 1977: It included a "history of the Village, the sort of telephones they used, the sewerage system, what they ate, the transport, the boundaries, a description of the Village, every aspect of it…"
  9. Specifically, McGoohan wrote "Free for All" as Paddy Fitz (Paddy being the Irish diminutive for Patrick and Fitzpatrick being his mother's maiden name) and directed "Many Happy Returns" and "A Change of Mind" as Joseph Serf. He wrote and directed the last two episodes — "Once Upon a Time" and "Fall Out" — and directed the aforementioned "Free for All" under his own name, though he had considered putting "Archibald Schwartz" on the script of "Once Upon a Time".
  10. Kahn, Eve M. (29 July 2007). "A Man's Whim on the Welsh Coast". The New York Times. http://travel.nytimes.com/2007/07/29/travel/29journeys.html. Retrieved 25 May 2010. 
  11. In a 1977 interview McGoohan said: "I thought the concept of the thing would sustain for only seven, but then Lew Grade wanted to make his sale to CBS, I believe, and he said he couldn't make a deal unless he had more, and he wanted 26, and I couldn't conceive of 26 stories, because it would be spreading it very thin, but we did manage, over a weekend, with my writers, to cook up ten more outlines, and eventually we did 17, but it should be seven…" According to The Prisoner: The Official Companion to the Classic TV Series by Robert Fairclough, the series was indeed cancelled, forcing McGoohan to write the concluding episode, "Fall Out", in only a few days. In the 1977 interview McGoohan contradicts this: "…it got very close to the last episode and I hadn't written it yet. And I had to sit down this terrible day and write the last episode…"
  12. Mike Patterson. "The Prisoner - the classic British TV series". http://www.crimetime.co.uk/features/prisoner.php. 
  13. Sardar, Ziauddin (1998). Postmodernism and the other: the new imperialism of Western culture. London: Pluto Press. pp. 1–3. ISBN 9780745307497. http://books.google.com/books?id=xNHaZOcbEhwC&pg=PA212&dq=isbn:0745307493#PPA1,M1. 
  14. Cole, Tom (15 January 2009). "Patrick McGoohan, TV's 'Prisoner' Number Six : NPR". npr.org. http://www.npr.org/templates/story/story.php?storyId=99355656. Retrieved 11 March 2009. 
  15. It was released in 1990 by MPI Home Video, then the licensed label for both/all three series in the USA. The copyright notice (the only credit) is ascribed to Maljack Productions, apparently the real company behind the name MPI. Law.cornell.edu: Jackson v. MPI Home Video
  16. It was announced in late 2005 that Granada would revive the series for Sky1 in 2007. BBC News: Remake for cult show The Prisoner Christopher Eccleston was initially rumoured to be considered for the title role, and it was reported that the series would be titled Number Six instead of The Prisoner.
  17. In December 2006, The Hollywood Reporter reported that AMC was co-producing The Prisoner with Sky1, and that it would run at least six to eight episodes, beginning in January 2008 (both in the UK and USA).ICv2 News—AMC Remaking The Prisoner
  18. In May 2007 it was reported that Sky One had pulled out of the re-make due to a disagreement with their AMC. In August 2007, Richard Woolfe, head of Sky One, stated: The Prisoner is not happening. It's a very quintessentially British drama and there were too many creative differences trying to share it with an American partner. I didn't want to be responsible for taking something that is quintessentially British and adapting it in a way that I didn't feel was reflective of the way people would remember it and the way people would want it to be. So we called time on that.Digital Spy: Q & A with Sky One head Richard Woolfe
  19. In October 2007, British broadcaster ITV stepped in to replace Sky One as co-producer with AMC. ITV to step in and save Prisoner remake.
  20. "Prisoner series set for remake". Scotsman.com. 30 June 2008. http://news.scotsman.com/entertainment/Prisoner-series-set-for-remake.4237637.jp. Retrieved 1 July 2008. 
  21. "Ian McKellan cast in The Prisoner". BBC. 1 July 2008. http://news.bbc.co.uk/2/hi/entertainment/7483053.stm. Retrieved 1 July 2008. 
  22. "The Prisoner: McKellen and Caviezel Signed for 2009 Mini-Series". TV Series Finale.com. 2 July 2008. http://tvseriesfinale.com/articles/the-prisoner-mckellen-and-caviezel-signed-for-2009-mini-series/. Retrieved 2 July 2008. 
  23. DVD Times: The Prisoner: The Complete Series
  24. High-Def Digest: The Prisoner: The Complete Series
  25. Network DVD: The Prisoner restoration screenshot comparisons
  26. DVD Times: The Prisoner: 40th Anniversary Special Edition

Bibliography

External links